Skip to main content

Margazhi Makes Me Soft in a Way Nothing Else Does

 ✍️ By Subhasri Devaraj



There is something about Margazhi that makes my heart wake up before I do.

Even before the alarm rings, the house feels different. The air is cold, but gentle. The kind of cold that doesn’t hurt — it holds you. I step out before sunrise, the floor still damp, the sky still undecided between night and morning.

The first thing I notice is sound.
Conches. Temple bells. Someone’s radio softly playing a Thiruppavai. Somewhere, a distant chant floats in the air like it has always lived there.

Margazhi doesn’t announce itself loudly.
It just arrives.

Rangoli Is Not Decoration. It Is Emotion.

Every morning, I draw kolam slowly — not to finish it, but to feel it.
White powder against the dark floor. Fingers moving without thinking. The designs don’t need to be perfect. They only need to be honest.

Then come the colours.
Soft blues. Warm reds. Gentle yellows.

I don’t rush. Margazhi teaches patience without teaching lessons.

By the time I finish, my hands are cold, but my heart feels warm — like I’ve already prayed without folding my hands.

The Smell That Feels Like Home

Inside, sambrani smoke curls upward, thick and comforting.
Agarbhatti burns quietly — jasmine, rose, sometimes sandalwood.

That smell doesn’t just fill the house.
It fills memories.

It smells like childhood mornings.
Like my mother moving softly so the house wouldn’t wake too soon.
Like days when life felt held together by rituals.

Flowers wait patiently — mallipoo, rose, tulasi leaves still wet with dew. I touch them before offering them, like greeting old friends.

Dressing for Devotion Feels Like Dressing for a Wedding

Margazhi mornings feel festive — not loud, but rich.

Wearing a pattu saree before sunrise feels special. Not for anyone to see — just for the moment.
The rustle of silk. The weight of the fabric. The way it makes me stand a little straighter.

It feels like preparing for something important.
Because it is important.

Devotion deserves beauty too.

The Temple Feels Like a Celebration Every Day

By the time I reach the temple, it’s already full.

Women in bright sarees.
Men with wet hair and folded hands.
Children half-asleep, half-excited.

It feels less like a temple visit and more like attending a wedding — every single day.

Crowds don’t irritate me during Margazhi. They comfort me.
So many hearts coming together for the same reason.
So many silent wishes rising at once.

The queue is long, but nobody complains.
Because Margazhi teaches waiting with grace.

Happiness, Without a Reason

That’s the strange part.

There is no big celebration.
No grand announcement.
No one tells you to be happy.

Yet happiness arrives anyway.

In small things.
In cold mornings.
In shared glances.
In ringing bells.
In flower-stained fingers.
In tired feet and a peaceful heart.

Margazhi doesn’t promise miracles.
It offers peace.

And somehow, that feels bigger.

When I return home, the day hasn’t even begun properly — yet my heart feels full, like something sacred has already been completed.

This is not just a month.
It’s a feeling.

And once Margazhi touches you,
you wait for it all year —
without even knowing why.

Check this if you want thats saree: https://amzn.to/49lDefP 

🧠 Disclaimer:

✋ No AI Here:
This blog post was written 100% by me, Subhasri Devaraj, without the use of AI writing tools.
Every word is real, personal, and written from scratch — just like a proper conversation over filter coffee. ☕
No bots. No auto-generated fluff. Just me, talking to you

⚠️ No content here is copied or auto-published. I don't post anything I wouldn’t say to a friend.

📌 Copyright © 2025 — Subhasri Devaraj | The Heartlogue
All rights reserved. Please do not copy, republish, or reprint without permission

Comments

Popular posts from this blog

Holmes Never Left

  ✍️  By Subhasri Devaraj She didn’t believe in coincidences, which is exactly why she went alone. The Sherlock Holmes Museum had always seemed kitschy in pictures—pipes, deerstalkers, wax figures frozen mid-puzzle. But as Anika stepped inside, everything felt... off-script. The air was colder than London’s July deserved. Her emerald chiffon saree rustled as if it too sensed something unspoken. Near the fireplace, a magnifying glass lay on a velvet cloth—no display tag, no protective case. Just waiting. She picked it up. The museum remained quiet, too quiet. As she looked through the lens, the world tilted. The modern clutter dissolved. Warm gaslight replaced LEDs. The parquet floor shimmered like it had just been polished. And the sound—horse hooves on cobblestone, a steam whistle slicing through fog. She blinked. Still in the museum. But now the fire was crackling. And then she saw it: carved faintly into the stone above the mantle—her name. Anika. It wasn't graffiti. It was...

The Mirror We Don't Want to See

  ✍️  By Subhasri Devaraj Image Created by Author You know that moment when you catch yourself doing the exact thing you just rolled your eyes at someone else for doing? Yeah, that moment. The one that makes you want to crawl under a rock and pretend it never happened. I had mine at Starbucks last Tuesday. There I was, standing behind this woman who was taking FOREVER to order. She's asking about every single drink modification, questioning the barista about oat milk versus almond milk, wanting to know if the caramel drizzle is "too sweet." I'm checking my watch, tapping my foot, thinking "Lady, it's coffee, not rocket science." My turn comes up. And what do I do? "Hi, um... what's the difference between your cold brew and iced coffee? And is the vanilla syrup sugar-free? Oh, and do you have any pastries that aren't too dry?" The universe has a sick sense of humor. We're All Walking Contradictions Here's the thing nobody talks a...

She Didn’t Sit There to Relax

    ✍️  By Subhasri Devaraj Image cretaed BY Subhasri Devaraj (Author) The swing groaned softly under her weight—not in welcome, but in quiet protest. Kavitha didn’t sit because she wanted rest. She sat because there was nowhere else to go. The sunlight creeping across the marble tiles didn’t comfort her; it just reminded her the day had started without asking permission. The brass lamp still flickered from the early puja, but it didn’t feel sacred this morning. Just routine. She held a glass of tea she didn’t want—too strong, too sweet, just like yesterday’s. Her saree clung to her in the humidity, stiff with starch and obligation. Outside, life roared—a pressure cooker whistle, motorbikes in the street, a baby crying in the neighbor’s flat. But inside, Kavitha felt like a ghost moving through a museum of her own choices. She caught sight of the brass statue on the shelf—Lakshmi, maybe Saraswati. She couldn’t remember. They all looked the same now. She took a sip of her ...